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The element of Mediterranean nature takes on a leading role, with bitter orange trees in the courtyards, olive trees, and roosters gazing toward the blue horizon.

The journey here is more spiritual; the houses gain space and move away from one another, while the element of form is introduced, particularly that of the spiral.

The houses are now dark, emerging from a hidden memory that nevertheless continues to struggle between the forces of good and evil, darkness and light.

The acrylic colors create a semi-transparent effect, giving the sense that we can see inside each house, perhaps even inside each person who lives within it.

The artist uses oxidized sheet metal, a worn material that records the passage of time.